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Jazzlab Saxholder Pro is a revolutionary anchor harness, suitable for all Saxes and other instruments. The traditional sax strap or sax harness transfers the whole weight of the instrument to the neck. By the time many performers complain of chronic neck pain, there may even be damage to the cervical spine. SAXHOLDER-PRO is a new, patented three-point support system. The whole weight of the sax is transferred onto the two padded shoulder handles with assistance from the abdominal rest.
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The Le Bravo Saxophone combines warm, resonant gold brass with the powerful, solid nickel-silver Super VI neck to create a thick sound that has serious punch. The LeBravo is a beautifully crafted instrument suitable for any serious saxophone player
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The LeBravo Series of intermediate saxophones truly perform above their classification. With a Gold brass body for tonal warmth, yellow brass keys for stability, a nickel-silver plated neck (very rare in this instrument class) for extra punch and metal resonators making this saxophone durable enough for the band room and refined enough for the stage. The LeBravo is also perfect for a professional seeking an economical auxiliary instrument capable of producing a broad tonal palette.
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Featuring rolled tone-hole construction, an enlarged body tube flair, and large bell design, the PMXT-66R Tenor Saxophone is a free-blowing instrument with a very stable low register and omni-directional sound reminiscent of classic European design. A variety of available finishes allows the player to choose not only the look of their handcrafted saxophone, but also provide subtle differences in tonal palette. Black pearl, abalone, or nickel-silver key touches complement the hand engraved bell. Satin Silver finish available on request
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As with all of our Rolled Tone Hole models, our truly unique rolling process uses the saxophone’s existing material; unlike rolled tone holes of the past, there is no soldering here, the tone holes are drawn from the body and then rolled over allowing superior resonance throughout the entire saxophone and increased response in all ranges. We’ve also enlarged the bell to compliment an already warm, fat sound.
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The PMXA-67R Alto Saxophone projects a dark, ringing sound as the result of an enlarged body tube flair, large bell, and rolled tone holes. Described as a very free blowing horn with broad dynamic range, the PMXA-67R comes in a variety of finishes, and features a hand engraved bell. From a resistance-free low range to an effortless altissimo, this instrument is for the player who requires tonal, dynamic, and timbral diversity. Satin Silver finish available on request
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The reed of var (France) worked by the Rigotti family is renowned for being of remarkable texture and quality, and is selected among the best harvests. Reeds are available in the following strengths: 1 - 11/2 - 2 - 21/2 - 3 - 31/2- 4 - 41/2 – 5 For musicians who want more precision in their strength, we offer sub-measures (Light, Medium, Strong). The Strong being harder than the Medium, and the Medium being harder than the Light. It’s not a difference in tone. There are no sub-measures for forces 1 - 11/2 et 5 For example: A musician who plays the number 3 and who likes only the strong reeds will be able to choose a box of strength reeds 3 Strong. Thus, all the reeds of his box will suit him and he will have less losses. All the reeds in his box will have the same strength. .
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The reed of var (France) worked by the Rigotti family is renowned for being of remarkable texture and quality, and is selected among the best harvests. Reeds are available in the following strengths: 1 - 11/2 - 2 - 21/2 - 3 - 31/2- 4 - 41/2 – 5 For musicians who want more precision in their strength, we offer sub-measures (Light, Medium, Strong). The Strong being harder than the Medium, and the Medium being harder than the Light. It’s not a difference in tone. There are no sub-measures for forces 1 - 11/2 et 5 For example: A musician who plays the number 3 and who likes only the strong reeds will be able to choose a box of strength reeds 3 Strong. Thus, all the reeds of his box will suit him and he will have less losses. All the reeds in his box will have the same strength. .
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The Wild reeds are cut from wild cane and therefore have a slightly different color than traditional reeds. Their thicker tip helps them last longer and the thinner bevel allows for a brighter and more punchy sound well suited to contemporary music styles. Rich in harmonics, Wild reeds also work well in orchestral, big band and jazz settings. Same strength as Rigotti Gold Available for Tenor, Alto and Soprano in box of 10 reeds. Our reeds are available in the following strengths: 1 - 11/2 - 2 - 21/2 - 3 - 31/2- 4 - 41/2 – 5
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The Wild reeds are cut from wild cane and therefore have a slightly different color than traditional reeds. Their thicker tip helps them last longer and the thinner bevel allows for a brighter and more punchy sound well suited to contemporary music styles. Rich in harmonics, Wild reeds also work well in orchestral, big band and jazz settings. Same strength as Rigotti Gold Available for Tenor, Alto and Soprano in box of 10 reeds. Our reeds are available in the following strengths: 1 - 11/2 - 2 - 21/2 - 3 - 31/2- 4 - 41/2 – 5
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The Black Master reeds have a wider and thicker cut than the White Master reeds. Its cut is designed for Austrian mouthpieces. Thanks to its response and tone characteristics, this cut can also suit the Boehm system mouthpieces.
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The White Master are designed for German clarinet players. New version: an evolution of the White Master reed, designed to suit more specifically the characteristics of the new generation of German mouthpieces (open mouthpieces with long facing).